 |
|
| Index of FUKUSHOKUBIGAKU (the journal of the Society of Aesthetics
of Costume) |
| (No.31~No.40) |
| *No.40 (March 2005) |
|
The Costume Designs of Sukenobu Nishikawa
- A Study on "Kosode-hiinagatabon" - |
|
FURUYA Aiko |
|
A Study on the Pattern of the Costume in the Meiji Era
- "uzurakomon" , a new taste - |
|
NEMOTO Yuka |
|
Have you chaged into 'seru' (Japanese serge clothes) before this season?
- On the description of the costume in literary texts in modern Japan - |
|
KOIKE Mitsue |
|
"Gleanings of Study" |
|
SUGINO Tadashi |
| *No.39 (September 2004) |
|
The "Mitate-moyo" in Tokyojiman Meibutsu-e
-A new phase of "mitate" design in mid-meiji - |
|
OKUBO Naoko |
|
Schlitze in Kreuzform und der Mythos von Wilhelm Tell |
|
KUROKAWA Yuko |
|
Fashion
-the System of Gaze - |
|
HIRAYOSHI Hiroko |
|
"Gleanings of Study"
Activity of Takashimaya in the second half of Meiji period |
|
HIROTA Takashi |
| *No.38 (March 2004) |
|
A Study of Manners on "Bushi" Costume in the Middle Ages, focusing on "Kosode"
inner wear |
|
KAWAHARA Yukiko |
|
A Study of the Pattern of Butterfly and Eulalia and Other Related Patterns
-around the Kosode (wadded silk garments) patterns in the early days of the Edo
period |
|
FUJII Kyoko |
|
The Process of Interpretation on Roses in Japanese Culture (II)
-eyes to roses in early modern times - |
|
YOSHIDA Kanako |
|
The horoku-zukin of Wankyu |
|
AOKI Moyuru |
|
"Gleanings of Study" |
|
Noguchi Eiko |
 |
| *No.37 (September 2003) |
|
Schlitze und Landsknechte
-Das Bild der Reisläufer im 16. Jahrhundert und deren Kleidung - |
|
KUROKAWA Yuko |
|
The Development of the Kate Greenaway Style in the 1890s and After |
|
SAKAI Taeko |
|
The Process of Interpretation on Roses in Japanese Culture
-The adoption of "roses" from Heian to early Kamakura era - |
|
YOSHIDA Kanako |
|
The Expressions of Zukin
-Mainly about Horoku Zukin of Yukyakus - |
|
AOKI Moyuru |
|
Lecture on Aesthetics of Costume 3
Clothes make the man
-Proverbs on Costume - |
|
SUGINO Tadashi |
| *No.36 (March 2003) |
|
A Study on "Futa-ai"
-Mainly on the establishment and its hue - |
|
WADA Sanae |
|
Bruno Taut's and Saito Kazo's Viewpont of Clothes |
|
GOTO Yoko |
|
The Adoption of Western-Style Hats in Modern Korea |
|
HUH Eun Joo |
|
The Chanel Suit as a Pronoun
-The Reception of Chanel in America - |
|
HIRAYOSHI Hiroko |
|
"Gleanings of Study" |
|
NOGUCHI Hiromi |
| *No.35 (September 2002) |
|
The Pattern Called "Chrysanthemum with a spider's web" and Related Matters
-A study of the theme on the Kosode (wadded silk garments) patterns in the early
modern times - |
|
FUJII Kyoko |
|
Kosode Designs for Nijo Himegimi as Seen in Ishozuancho from the Kariganeya
Documents |
|
HANAFUSA Miki |
|
The Costume of "Kosho" (pages) in the "Samurai" Society of the Early Modern
Age
-From "Enpo" era to the beginning of "Shotoku" era - |
|
MORI Rie |
|
A Study on the Oscar Wilde's Comedy
-Focusing on A Woman of No Importance - |
|
SASAI Kei |
|
"Gleanings of Study" |
|
MASUDA Yoshiko |
|
| *No.34 (March 2002) |
|
The Phonetic Shift from "Chihayaburu" to "Chihayafuru"
-As seen through costumes - |
|
WADA Sanae |
|
The change of "shima" design in the early Edo-period kosode designs
-Kariganeya documents - |
|
HANAFUSA Miki |
|
Santo Kyoden's Mitate Komon Design and Textile Design in Early 19th Century
Edo
-Expansion from the world of gesaku and ukiyoe - |
|
OKUBO Naoko |
|
Costumes of Japanese Travelers to the West in the First Half of the Meiji
Era |
|
UMETANI Tomoyo |
|
Everyday Dress of the Working Class in the Nineteenth Century
-A Study of English Smock - |
|
YAMAMOTO Asako |
|
The Spirit entrusted to a Buttonhole
-From a sentence in The Picture of Dorian Gray - |
|
YAMAZAKI Toshie |
|
"Gleanings of Study" |
|
TSUKAMOTO Mizuyo |
|
| *No.33 (September 2001) |
|
Study on Komon-zai Komon-gawa Komon-sinpo : The "Mitate" Design Books by Santo
Kyoden
-Their Characteristics as textile design - |
|
OKUBO Naoko |
|
The Relationship between Costumes and Literature in the Edo period (II)
-A Study on "kosodehinagatabon" as a device of reading materials |
|
HUH Eun Joo |
|
The Origin and Development of "Korin-style Motif"
-A Study on "Kosode-hiinagatabon" |
|
FURUYA Aiko |
|
The Expression as "Otokodate" in Kabuki Costumes in the Early Modern Ages
-Mainly on "Ume-no- yoshibê" - |
|
AOKI Moyuru |
|
The Edo Style Design in the Meiji Period
-Mainly on the designs by Shibata Zeshin, "Mt. Fuji and Mt. Tsukuba" and " Isononami"
- |
|
NEMOTO Yuka |
|
The Characteristic of Riding-Habit in the 19th Century |
|
YAMAMURA Akiko |
|
"Gleanings of Study" |
|
OKUMURA Makiko |
|
| *No.32 (March 2001) |
|
Costumes of Japanese Travelers to the West in the Last Days of Edo Period |
|
UMETANI Tomoyo |
|
The Relation between Costumes and Literature in the Edo period
-A Study on "kosode hinakatabon" as a reading in "shikisionhinakata" |
|
HUH Eun Joo |
|
The Secret of One-and-Twenty Button-holes
-Facts and fictions of costume descriptions in The Tailor of Gloucester
- |
|
SAKAI Taeko |
|
Mask and Play in Casanova's History of My Life
-In the case of two kinds of mask, Pitocchi and Domino - |
|
MIZUTANI Yumiko |
|
Lecture on Aesthetics of Costume 2 |
|
SUGINO Tadashi |
|
"Gleanings of Study" |
|
SHIBATA Mié |
|
| *No.31 (September 2000) |
|
Mi-parti in der höfischen Kleidung des 13. Jahrhunderts
-Zur Zeichenhaftigkeit des Mi-parti, wie sie von Mertens behauptet wird - |
|
KUROKAWA Yuko |
|
Feather Fans in the Portraits of Queen Elizabeth I |
|
MATSUO Ryoko |
|
The Culture of Life and the Masters in the Middle of the Meiji Period
-A study on Bon Festival Lantern in Monthly Manners and customs of the
Meiji Period by Kaburaki Kiyokata - |
|
NEMOTO Yuka |
|
Lecture on Aesthetics of Costume |
|
SUGINO Tadashi |
|
"Gleanings of Study" |
|
KOIKE Mitsue |
|
|
