 |
|
| Index of FUKUSHOKUBIGAKU (the journal of the Society of Aesthetics
of Costume) |
| (No.21~No.30) |
| * No.30(March 2000) |
|
The Dynamics of Fashion
- The Discourse and its Function surrounding the 20th Century Fashion- |
|
HIRAYOSHI Hiroko |
|
Jackets of boys in samurai families from the end of Muromachi period to early
Momoyama period
- A study on jackets depicted in Genre Scenes of the Twelve Months
- |
|
MORI Rie |
|
La couleur de la chemise et la propreté
- D'après les procès-verbaux de levées de cadavers de Lyon
au XVIIIe siècle - |
|
ITO Rina |
|
Sensibility to Cutting Cloth
- Transformation from cloth to cut and sewn clothes in Indonesia - |
|
MATSUMOTO Yuka |
 |
| *No.29 (September 1999) |
|
The Expression of the Costume in "Waka" in the Middle of the Heian
Era
- Concerning the word "karakoromo" - |
|
WADA Sanae |
|
Image of Dancing Girls of "Gosechi"
- Mainly on the construction of the "Waka" composed by Hensho - |
|
YOSHIMURA Yoshiko |
|
On the Expression of the Costumes worn by the Nobility going for Nara on Sept.15,
1391 |
|
KAWAHARA Yukiko |
|
The Relation between Ornamental Design on Costumes and Picture in the Late
Edo Period
- A Study on the Picture-like Designs Seen in Ninjobon , Ukiyoe , and Etehon
- |
|
OKUBO Naoko |
|
Thoughts of School Caps
- With special reference to "Kakubo" of Imperial Universities and "Hakusenbo"
of higher schools - |
|
HIRATA Reiko |
|
John Evelyn and His Appreciation of Eastern Costume |
|
TSUJI Masumi |
|
Two Dresses worn by Alice |
|
SAKAI Taeko |
|
The Theory of Costume in the Works of Oscar Wilde
- Focusing on Women's Dresses - |
|
SASAI Kei |
|
| *No.28 (March 1999) |
|
A Study on the zukin in the Edo era
- Fukumen zukin - |
|
AOKI Moyuru |
|
Die Darstellung der Kleidung in den Liedern Neidharts |
|
KUROKAWA Yuko |
|
State of Grazia in the costume of Northern Italian courts and inclination
for the shiny texture in the first half of Cinquecento
- particularly considered in light of Baldassarre Castiglione and Isabella d'Este
- |
|
UEDA Yoko |
|
The disguise of the Bauta in the 18th Century of Venice, seen in the works
of Pietoro Longhi |
|
MIZUTANI Yumiko |
|
The Expression of the Costumes in Die Leiden des Jungen Werther
- In relation to German heart in the late-eighteenth century - |
|
OKADA Toshiko |
|
The Bloomer Costumes in Mid-19th Century America
- A view of the clothes of America Jenks Bloomer - |
|
GOTO Yoko |
|
| *No.27 (March 1998) |
|
A Study on the Establishment of "Karaginu-mo" |
|
YOSHIMURA Yoshiko |
|
Revivalism in the Costumes in Modern Ages
- A study on the prevalence of "genroku" - |
|
NEMOTO Yuka |
|
Devices for Costumes in Ninjôbon and Their Relation to Kabuki,
Paintings, Ink Drawings, and Calligraphy |
|
OKUBO Naoko |
|
On the Charm of Texture in Costumes
- Modernization, everyday life and clothing - |
|
YOKOGAWA Kimiko |
|
Il vestito rosato di Leonardo
- La concezione sul costume dell' omo sanza lettere - |
|
ITO Aki |
|
Dress and Body of Lawn Tennis at the End of the 19th century |
|
KOHDA Yuka |
|
| *No.26 (March 1997) |
|
Costume of "Gosechi" Dancers
- A Study of Women's Costume in the Heian Period - |
|
YOSHIMURA Yoshiko |
|
Consideration of "Hyomon", the Dyeing Patterns on the Middle |
|
KAWAHARA Yukiko |
|
Quilted "Jin-Baori", an Overcoat of the Japanese Feudal Warlord, Toyotomi
Hideyoshi |
|
IWASAKI Masami |
|
A Story of a School Badge
- An Analysis from the Modern History of Women's Clothes in Japan - |
|
KOIKE Mitsue |
|
Siamoise
- Fashion of Siamoise in the Reign of Louis 14 and it's Relation to the French
Cotton Industry - |
|
TSUJI Masumi |
|
The Affectation in Fashion
- The English "Beau" , "Smart" , "Coxcomb" , "Fop" in the Eighteenth Century - |
|
YAMAZAKI Toshie |
|
The Meaning and the Function of Costumes in Carnival
- A King of Fools in Cologn in the 19th Century - |
|
MIZUTANI Yumiko |
|
The Costume of Oscar Wilde
- His attire and his opinions about men's dress - |
|
SASAI Kei |
|
| *No.25 (March 1996) |
|
Aspects of "Noshi" and "Zappo" in the Heian Costume
- Mainly on "shitaginuEshitagasane" of "shiragasane" - |
|
NARITA Migiwa |
|
A study of "Akane-iro (Japanese madder)"
- Mainly from the late Heian period to the early Kamakura period - |
|
YOSHIMURA Yoshiko |
|
A Study on Traveling Costume in the Heian Period
- "Tsubo-Shozoku" - |
|
TANABE Mayumi |
|
The Origin of the "Cherry Blossom Raft" Pattern |
|
TANZAWA Koh |
|
The Early Modern Devices in Edo Costumes
- Expressions by "Kamiko" - |
|
KOIKE Mitsue |
|
Shinsaku Nuida in Wagahai Wa Nekodearu (I am a cat) |
|
FUJII Kyoko |
|
Le "Sette virtù e il simbolismo dell'abbigliamento
- Boccacio, Comedia delle ninfe fiorentine - |
|
ITO Aki |
|
| *No.24 (March 1995) |
|
Traveller's Sight to the County Costumes
- Mainly on Toyu-Zakki - |
|
OKUMURA Makiko |
|
A Question in History of "Tachitsuke" Researched into the Japanese
Genre Painting of the Early Modern Periods (mid 16th to early 17th century) |
|
NAKAI Nagako |
|
An Aspect of the Merchant Class Costume in the Genroku era
- Guests of the licensed quarters and Haori coats with "Gunnai-shima"
- |
|
OYAMA Naoko |
|
La Galanterie
- La vie mondaine et l'apparence dans la première moitié du XVIIe
siècle en France |
|
UCHIMURA Rina |
|
Changes of Rank Systems from "Kan'i Junikai" to "Ikaisei"
since the Taika Era
- A reply to Tetsuya TORAO'S criticism - |
|
MASUDA Yoshiko |
|
| *No.23 (March 1994) |
|
De l'Origine du Costume historique chez les Romantiques
- Autour de la représentation d'Henri III et sa cour - |
|
TOKUI Yoshiko |
|
Les Fleurs sur les Costumes
- Au milieu du XIXe siècle en France - |
|
SUGAWARA Tamako |
|
Aspects of "Noshi" and "Zappo" in the Heian Costume
- Mainly on "Shita-gasane" of Sufflower dyeing - |
|
NARITA Migiwa |
|
The Imperial Ordinance of the Heian period
- "Kinjiki" and "Zappo " - |
|
IBARAGI Yuko |
|
Taste for Patterns in the late Edo era
- The various aspects of "Asanoha-ganoko" - |
|
OKUBO Naoko |
|
Dressing Oneself as Environment
- Mainly on works of Kiyokata Kaburaki - |
|
YOKOGAWA Kimiko |
|
The Meaning and the Structure that a Person is familiar with his Clothes
- The relationship between Van Gogh's "Shoes" and clothes - |
|
MIZUTANI Yumiko |
|
Aesthetic Consideration of "Antique" |
|
MASUBUCHI Soichi |
|
| *No.22 (March 1993) |
|
Regulations and Deviation in Costume
- On wearing Hakama - |
|
KAWAHARA Yukiko |
|
The Costume Expression in Kabuki of Edo-era
- "Asagi Asanoha-ganoko" of Yaoya Oshichi - |
|
OKUBO Naoko |
|
Woolen Fabrics as Materials for Japanese-Style Clothing
- With a focus on the Meiji era - |
|
SAKIKAWA Naoko |
|
History of Phrygian Cap
- Its origin and its form showed in the antique arts - |
|
SAITO Mihoko |
|
La Dentelle Belge à ses Débuts |
|
TAKAGI Yoko |
|
Traditional Costume in Bali
- The case study on Topeng Panca - |
|
MIZUTANI Yumiko |
|
| *No.21 (March 1992) |
|
A Study of the Mourning Dress in Ancient Japan
- Change in color from white to black - |
|
MASUDA Yoshiko |
|
A Study on "Sakura-Kasane" |
|
YOSHIMURA Yoshiko |
|
A Study on the Traveling Costume in Medieval Japan
- The ramie veil called "Mushi-no-tareginu" - |
|
TANABE Mayumi |
|
The Taste of Imported Clothes Materials in Modern Ages Costume
- The guise of "yukyakus" from the middle of the Edo era -
|
|
UMETANI Tomoyo |
|
The Relation between the Costume and the Fixed Form of the Figure Depicted
in Ancient Egyptian Pictures and Relief |
|
NOGUCHI Hiromi |
|
Aspects of Finery and Plainness on English Clothes in the Eighteenth Century |
|
YAMAZAKI Toshie |
|
Shirtwaist of America |
|
OHTA Etsuko |
|
"I Like a Cat Whose Back is Blackcc"
(The Pillow Book of Sei Shonagon "Makura no Soshi") |
|
TANIDA Etsuji |
|
|
