 |
|
| Index of FUKUSHOKUBIGAKU (the journal of the Society of Aesthetics of Costume) |
| (No.11~No.20) |
| * No.20 (March 1991) |
|
Aspects of "Zappo and "Noshi" in the Heian Costume
- Mainly on the establishment of "Kasane-irome" - |
|
NARITA Migiwa |
|
The Costume in the Previous Period of the Modern Ages
- Mainly on "roppoh" and "tanzen"- |
|
TAKASE Mariko |
|
The Change of Popularization of Western Costumes during the Period from Meiji
to Taisho
- Especially for school girls' sportswear - |
|
OKUBO Haruno |
|
Dress of Art Nouveau
- Henry van de Velde - |
|
TAKAGI Yoko |
|
Exotisme et Costume historique
- Les annés 1830 de la France - |
|
TOKUI Yoshiko |
 |
| * No.19 (March 1990) |
|
The Pillow of "Dainagon Saneie"
|
|
TANIDA Etsuji |
|
The Pattern for "Kodachi" (the little children's "kimono")
- The researches on the pattern of a go board and go stones, gourds and horses
- |
|
YOSHIMURA Yoshiko |
|
On Accepting Foreign Cultures in English Costume of the 18th Century |
|
YAMAZAKI Toshie |
|
The Wearing of Costumes
- The relations between costume, action and character - |
|
MIZUTANI Yumiko |
|
A Study of Make-up (2) |
|
OYAMA Naoko |
|
The Fusion of Fashion between Men and Women
- The relationship between "tsuu" and "iki" - |
|
KOIKE Mitsue |
|
| * No.18 (March 1989) |
|
A Study on the Formation of "Basara" |
|
UEMATSU Naoko |
|
Oharame
- their rural costume - |
|
OKUMURA Makiko |
|
"Kosode" Patterns and their Development from the 14th through the 16th
century |
|
SATO Rie |
|
The Collisions between old and new Costumes
- mainly on the regulations of swords - |
|
KAWAHARA Yukiko |
|
A Study of the Pattern called "Obasute-yama Tagoto no Tsuki"
- the moon designed as the ornamental pattern (3) - |
|
FUJII Kyoko |
|
A Study on the "Aka-Getto"
- the clothes of the common people in Modern Japan - |
|
TANABE Mayumi |
|
Les Portraits de Charles V
- symbole du costume -
|
|
TAKAGI Yoko |
|
Women's Trousers in the latter Half of the 19th Century
- from bloomers to cycling costume - |
|
SASAI Kei |
|
Form and Significance in Patterns
- the hexagon and the tortoise shell pattern - |
|
TANZAWA Koh |
|
| * No.17(March 1988) |
|
The Effect of the Temporal and Spatial Expression on the Ornamental Part of
Garment in Costume
- Mainly on the train of "Shitagasane" - |
|
SHIBATA Mié |
|
A Study on the "Furuki-no-Kawakoromo"
- An Imported costume in ancient Japan - |
|
TANABE Mayumi |
|
The Patterns on Costumes in Medieval Japan
"A Study of "Hoya" " |
|
KONO Masako |
|
The Moon Designed as the Ornamental Pattern (2)
- on "Enko Sokugetsu" (gibbons trying to catch the moon reflected on
the surface of the water) -
|
|
TANAKA Kyoko |
|
A Study of Make-up (1) |
|
OYAMA Naoko |
|
Women's Fashion and Custom in The Spectator |
|
YAMAZAKI Toshie |
|
| * No.16(March 1987) |
|
L'Emblème des Couleurs
-Vêtement mi-parti aux entrées royales dans la France médiévale
- |
|
TOKUI Yoshiko |
|
The Origins of the Seigaiha Pattern
- A Reexaminations of its possible roots in Sasanid Persia -
|
|
TANZAWA Koh |
|
A Study on the Colors in Ancient Japan
- Especially on "Ki" - |
|
NOGUCHI Hiromi |
|
A Study on Kikujin and Aoiro in Heian Court Costume |
|
NARITA Migiwa |
|
The Costumes of the "Samurai"s in Kamakura era
- Mainly on "houi"s and "hitatare"s- |
|
KAGEYAMA Yumiko |
|
Historical Changes of Noh Costume
- Focusing on the transitional period - |
|
HORI Osamu |
|
The Mantle of "Chijin-no-Ai" |
|
YOHIDA Yuko |
|
The Difference between "Sabi" and "Wabi" |
|
TSUKAMOTO Mizuyo |
|
| * No.15(March 1986) |
|
A meaning of head ornament in ancient Japan
- laying stress on "UZU"- |
|
MASUDA Yoshiko |
|
Longing for Tang Dynasty China in the Costume of the Heian period |
|
TORIIMOTO Yukiyo |
|
The Research into "Shikama-no-Kachi" |
|
YOSHIMURA Yoshiko |
|
The Introduction of Modern Western Costume in Japan
- The early stage of the Meiji period - |
|
YOKOＧAWA Kimiko |
|
Englishness in the costume
- Taking the Tudor era for example - |
|
KUWABARA Ryoko |
|
La naissance de l'élégant dans les moeurs |
|
SAITO Takako |
|
Une Etude sur la Critique ou la Satire du Costume sous Louis XIV et Louis
XV |
|
SUGAWARA Tamako |
|
| * No.14(February 1985) |
|
Le symbole du costume dans le rite féodal en France |
|
TOKUI Yoshiko |
|
The components of the Suhama Pattern
- Up to the Suhama Uta-awase - |
|
TANZAWA Koh |
|
The Moon designed as the Ornamental Pattern
- on "Musashino no Tsuki" (The moon in the field of Musashi) - |
|
TANAKA Kyoko |
|
A Theory of the Fashion |
|
OHTA Kyoko |
|
The Introduction of Modern Western Costume in Japan |
|
YOKOGAWA Kimiko |
|
The Costumes in "Chijin-no-Ai" |
|
KIRIU Marie |
|
Trachet als Ausdruck |
|
TANIDA Etsuji |
|
| * No.13 (March 1984) |
|
The Background of the Costume in the Modern Japan
- Mainly on the early works of Hakushu - |
|
SUZUKI Suzue |
|
On the costume descriptions of the battle scenes in "Heike Monogatari" |
|
TORIIMOTO Yukiyo |
|
A Study Considering the Development of Kosode Style in the Edo Period
- An Approach to its Aesthetic Interpretation - |
|
NAGASAKI Iwao |
|
The characteristic phenomena in Fool's costume |
|
MIZUTANI Yumiko |
|
The "livrée of the late Middle Ages in France |
|
ABE Michiko |
|
The Costume in "La Belle Epoque"
- significance of Paul Poiret in Art Nouveau style - |
|
KAWANAKA Mitsuko |
|
Where the Aesthetic Value of Costume Exists |
|
ITAKURA Toshiro |
|
| * No.12 (March 1983) |
|
A Study of "Harizuri" |
|
MASUDA Yoshiko |
|
The Costume in 'Genji-Monogatari'
- a research on 'Nae' - |
|
IBARAGI Yuuko |
|
The Katami-gawari and the Dan-gawari monyo |
|
OKUMURA Makiko |
|
A Study of the Costume of Holland in the 17th Century
- The Perfect Harmony of Costume and Everyday Life - |
|
TANAKA Miki |
|
An Essay on "galant" in France |
|
SUGAWARA Tamako |
|
English Fan in the 18th Century
- on the Peeping-Fan - |
|
YAMAZAKI Toshie |
|
The Background of American Quilt
- Needlework in Early America - |
|
OHTA Etsuko |
|
Reflections on the Clothing |
|
SUGINO Tadashi |
|
| * No.11 (March 1982) |
|
Juda and Witch
- Inside and Outside - |
|
MOCHIZUKI Tomiko |
|
An Introduction to the theory of art of costume
- to give the Firenze costume in the 15th century as example - |
|
OZUKA Rieko |
|
Design of the women's tattooing presently being done in Okinawa |
|
ICHIKAWA Shigeharu |
|
A kind of costume on a mural appeared on the inner wall of an ancient burial
mound named Takamatsuzuka, and its effect of Tang mode exercised on the costume
in our country |
|
MASUDA Yoshiko |
|
The Pattern of the Costume in the Medieval Japan
- The researches on the pattern of butterflies - |
|
KONO Masako |
|
"Kodawari" (a kind of feeling) about one's dress
- Soseki, Hyakken, and Morio Kita - |
|
KOIKE Mitsue |
|
|
